Ebook Free , by Stendhal
, by Stendhal
Ebook Free , by Stendhal
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Produktinformation
Format: Kindle Ausgabe
Dateigröße: 781 KB
Seitenzahl der Print-Ausgabe: 173 Seiten
ISBN-Quelle für Seitenzahl: 150064739X
Verlag: Green World Classics (5. Juli 2019)
Verkauf durch: Amazon Media EU S.Ã r.l.
Sprache: Englisch
ASIN: B077VZV13Y
Text-to-Speech (Vorlesemodus):
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Durchschnittliche Kundenbewertung:
3.9 von 5 Sternen
4 Kundenrezensionen
Amazon Bestseller-Rang:
#617.293 Bezahlt in Kindle-Shop (Siehe Top 100 Bezahlt in Kindle-Shop)
Stendhal's 'Le Rouge et le Noir' (The Red and the Black) is a classic novel that was very important to me in early formation of directions in life. I found I could identify quite strongly with Julien Sorel, who wanted a better life, a life of meaning and importance, and was torn about which direction in which to go.The Red (symbolising the church, the scarlet of cardinal's robes) and the Black (symbolising the military, the uniform, etc.) were both options held out to me early; in fact, I rejected both for a while, but have found myself drawn back in the red direction.The story is one of coming of age as a bookish fellow in a working-class family, then ambition (but not overpowering ambition; in fact, Julien's father wishes he had more), then shifting careers (rare in an era and country where one's path is usually set for life early; however, this was the post-revolution era in France, in which some things were giving way, some more than others, it seems). Julien is pulled by events rather than being the director and creator of realities; Julien finds he loves the affect of various roles in life (more than the substance and responsibilities that come with such roles) -- for instance, he loves the swagger and the horsey-ness of being a soldier, but doesn't particularly like to get dirty or have to fight. He likes the trappings of religious office, but isn't inclined so much to spirituality, and Julien ran up against this in seminary:The seminary director said to Julien: 'Truth is austere, sir. But our task in this world is austere, too, is it not? You must take care to guard your conscience carefully from this weakness: Excess of feeling for vain exterior charm.'There is love, a love triangle in fact, romance and thwarted desires, and loves fulfilled, if not completely. It ends with a dramatic homicidal act, trial, an execution, and a most bizarre funeral. The melodramatic performance of Mathilde (re-enacting an earlier story with which she was familiar in which the heroine carried the severed head of her lover to his grave) provided the most animated conversation among ministers and psychologists I have ever witnessed.Stendhal often built a character's name out of words that were descriptive, which is sometimes lost in translation as the names often don't get translated in the same way, or may have lost the immediacy of their meanings over time. Julien may be a play on Julian the Apostate, enemy of Christianity; Abbe Castanede is decidedly Spanish and inquisitional; Noiroud and Moirod come from words meaning swarthy and mottled; many other examples abound.This is a very hard book to encapsulate in such a small space. It is not easy reading, but it is rewarding reading.And again, an interior dialogue of Julien in seminary helps inform me, and keeps me thinking (both for and against in many ways):'In the seminary, there's a way of eating a boiled egg which declares how far one has progressed down the saintly path....What will I be doing all my life? he asked himself; I'll be selling the faithful a seat in heaven. How will that seat be made visible to them? by the difference between my exterior and that of a layman.'Choose your path wisely.
This story reminds me of The Seagull by Chekhov because it can be read as a drama or, if you take a step back and laugh at the characters instead of empathizing with them, as a comedy. Chekhov described his depressing play as a comedy.Julien Sorel is a poor young peasant in France. He becomes a tutor for a rich family, so of course he has a love affair with his employer's wife. The next time he works for a rich family it is the virgin daughter he falls in love with. The book is French, don't forget. Similar to romance in Proust, the lady despises Julien for loving her, but falls in love with him when she thinks he loves someone else. The stakes are raised when his earlier lover, the married woman, returns to the story to break up his new relationship. Is it hatred? Is it love? Right here we have to break off because things start happening fast and we can't ruin the ending for you.I like happy endings. I wouldn't compare this one to a Yankee fan watching the Yanks win the World Series. Be prepared to chuck it all and just laugh.
About halfway through this arch and amusing tale of the foolish, machiavellian Julien Sorel we read: "He almost went mad with joy on finding an edition of Voltaire. He ran and opened the library door so as not to be caught in the act. Next he gave himself the pleasure of opening each of the eighty volumes." You too will almost go mad with joy when you slip into a book that can startle with its pulse, its passion, its ability to seem like a forbidden pleasure. You will smile with glee as you run your hands across pages racy enough to make you feel like you could be caught in the act. You'll find yourself sighing on page 248 when you realize Julien has a full eighty volumes of Voltaire to keep his fires burning, while you only have 500 pages of the Red and the Black. But don't give into that familiar panic--that it might end, that you will spend years regretting those 500 pages of momentary pleasure--because it only gets better with each successive read. Like Cleopatra, it doesn't cloy where most it satisfies, but leaves you short of breath, wanting more-
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